Tag Archives: Kodak Portra 400

Winter and Charlie Hebdo


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As in these two rolls of film, the tragic Charlie Hebdo shootings filled up a large part in-between the typical events this winter. Having participated first and foremost as a peaceful demonstrator, I’m happy that bringing the camera along that day allowed me to capture a bit of that very unique atmosphere.

The first roll contains a bizarre mix of family christmas photos, random walk around Paris, and a scenes of shootings.

The second roll covers the peaceful demonstration, as well as more winter travelling.

Both were Kodak Portra, and on a technical note I’m actually surprised how well it stood up to the clearly underexposed evening shots.

July Shots


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July has been a busy month with work and visits, but perhaps because of the latter I also managed to finish three films with a mix of your typical tourist photos, and whatever kind of photos it is that I tend to take when out on my own.

The first one is a Kodak Portra 400, and as always it’s the forgiving hero delivering great colours even when the exposure is sure to have been a bit off. Skin tones, greens, sky — all is good. All but one are from Paris (Fête Nationale and Le Tour), with the last one being from my brother’s gymnasium graduation (congratulations again!).

Next up is an Ilford Delta 100 Professional. I still can’t tell the difference between this one and the Kodak T-Max, not least because so much is determined during scanning, but perhaps this will change when I eventually make prints.

And last but not least, a Lomography X-Pro Slide 200. Although surprisingly the colours are quite different from the first one (perhaps because I used a different printer) the result is still pretty good when the exposure is right — take Educating or Hanging Around for instance.

On the other hand, it is clear that the film is not nearly as forgiving as the Portra, and both underexposure (High) or overexposure (Expensive District, Wineyard, and Blue Shades) leads to an unpleasant purple tint — the best example perhaps is Scholastique (Smiling) and Scholastique (Looking) where the latter seems to be correctly exposed, and the former was deliberately given one stop more.

A Newfound Love of Kodak Portra


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A few weeks ago I was heading for a week-long conference in Copenhagen and figured I’d only bring the Nikon FM as my only camera, and the practical 28-70mm lens as my only lens. And since this is a slow lens I went with a fast film: a Kodak Portra 400.

It had been a while since the last Portra, and even though I’d halfway declared it my general-purpose go-to film, I’d also kind of forgotten how good it is, perhaps thinking it a bit boring even after all the adventures into Lomography films and cross-processing. Fortunately the prints brought a very happy surprise! Perhaps it plays a part as well that I’ve switched back to my old (and more remote) printer after the inconsistent prints from the Precisa 100, but in the end I really like the result.

While the above film was shot within a week, I also recently finished a Kodak Portra 160 that’s been in my Olympus OM-1 since last autumn. And although it’s apparently against recommendation to let a film in a camera for that long due to light leaks, radiation, heat, and what not, this indicates that the advice should be balanced against the increased quality of the photos when you are more picky about releasing the shutter!