A quick post with a few photos from Christmas time around Blåvand, snow in Amsterdam, and a Paris flea market. Not too good with exposure on this one for some reason.
You might remember how by a rookie mistake I managed to waste an entire film a while back. Well, I loaded a new film into the camera and the results are finally here. And why did it take so long? Firstly, I started to prefer shooting on the OM-1. And secondly, a personal dry period when shooting meant that nothing on the film really caught my eye, and in turn a delay of a few months before scanning them.
Let’s start with a few shots from the film:
I like the two Scholastique (…) but it goes a bit downhill from there. My girlfriend pointed out a while back what difference my mood often has on my photos — when going through a generally content period the result so far has often been better — which, I suppose, is not too surprising, yet obvious in these shots: while finishing the Ph.D. there honestly wasn’t much energy for anything else, including creativity in the finer arts.
The Church photo is from my hometown Esbjerg, as is Where I Used to Swim of the swimming pool where I spent the greater part of the teenage years; it is less remote than it perhaps seem and was actually taken during a quick walk from my parents’ house. Notice that these two shots both contain significant light leaks, meaning the foam that is supposed to prevent light from creeping onto the film through the rear door has probably become too old. On Church I’ve applied my newly acquired Photoshop skills in an attempt to repair it, yet it took so long that I’m still building up momentum to start on the second one (I tried a few different approaches but in the end frequency separation as used in beauty retouching yielded the best result).
The use on Photoshop brings up an interesting question, namely how does analogue and digital photography mix? Since I can’t currently make prints due to the lack of a darkroom, scanning and working on the photos digitally is tremendously convenient if they are to have any kind of life. Plus, as the light leak repair attempt shows, digitally I can (sort of) do stuff that seems almost impossible to do in the darkroom. But that of course begs the question, why even bother with shooting analogue then? I suppose it’s just to try something new. And the prospect of eventually going to the darkroom to make proper prints.