June 2016

Japan


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I’d been wanting to go to Japan for years, and now seemed as good as ever. Taking the best of two days for travel, it had to be limited to nine full days there, with five spent in Tokyo, two in Kyoto, and two for what lies in-between.

It should come as no surprise that Tokyo was amazing. The cleanliness, the cityscape, and the seeming separatism from the US (compared to large parts of Europe at least). My impression is that it would be hard to move there for good — but coming back to work there for, say, one year is on my list now.

Unfortunately there wasn’t much time left over for Mount Fuji, but we did take the advice of many and stayed a night at a tradition Japanese inn, which is hereby passed on. Got to see the mountain though, and driving past a Fujifilm factory on the way I also finally made that connection (ever wondered why the network gigant is called Cisco?).

In Kyoto the most impressive thing was the Fushimi Inari Taisha shrine, with the entire Inari mountain essentially covered in Japanese Torii gates.

And of course everything was documented with Fujifilm, specifically Superia 200 and 400, and shot on a Nikon FM.

A Few Shots


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A quick set of mixed photos from the last month or two.

I like the organisation in Setup, and surprised by the range of the Kodak Portra in Bed and Breakfast doing from dark indoor to morning bright outdoor.

A Few Firsts


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First up is a Rollei Chrome CR 200. Not overly impressed and not overly forgiving, it does have some likeable browns and reds when the exposure is right.

Second up is the CineStill 50 Daylight X-Pro. which, unlike the other CineStill is calibrated for shooting outdoor at daylight as opposed to indoor with low light. Much better first impression of this one and looking forward to shooting the next roll — skin tones and blues in particular seem great.

Last one is an Adox Color Implosion 100 which gave a few interesting shoots, such as the dreamy toning in East Paris. Cute film though perhaps also a bit demanding and picky.