A few shots from an extended weekend in Rome. Lovely place, yet apparently even more deserted by the locals and taken over by tourists than Paris, at least at this time of the year.
Perhaps I’ve been loosing the touch a bit lately, or perhaps the light is harsher down south, but surprised by how many of these are overexposed — seeing the limit of the otherwise very forgiving Kodak Portra 160.
July has been a busy month with work and visits, but perhaps because of the latter I also managed to finish three films with a mix of your typical tourist photos, and whatever kind of photos it is that I tend to take when out on my own.
The first one is a Kodak Portra 400, and as always it’s the forgiving hero delivering great colours even when the exposure is sure to have been a bit off. Skin tones, greens, sky — all is good. All but one are from Paris (Fête Nationale and Le Tour), with the last one being from my brother’s gymnasium graduation (congratulations again!).
Next up is an Ilford Delta 100 Professional. I still can’t tell the difference between this one and the Kodak T-Max, not least because so much is determined during scanning, but perhaps this will change when I eventually make prints.
And last but not least, a Lomography X-Pro Slide 200. Although surprisingly the colours are quite different from the first one (perhaps because I used a different printer) the result is still pretty good when the exposure is right — take Educating or Hanging Around for instance.
On the other hand, it is clear that the film is not nearly as forgiving as the Portra, and both underexposure (High) or overexposure (Expensive District, Wineyard, and Blue Shades) leads to an unpleasant purple tint — the best example perhaps is Scholastique (Smiling) and Scholastique (Looking) where the latter seems to be correctly exposed, and the former was deliberately given one stop more.