I know I recently wrote about falling back in love with Kodak Portra, but fortunately there’s no requirement that we stay monogamous when it comes to film. Here’s a few from a Fujifilm Superia 200. Continue reading
My first roll of Fuijfilm FujiChrome Velvia 50 invoked mixed feelings. At first I was tempted to say that it was a bit disappointing, yet in reality it’s perhaps more a question of finding the right scene for the film.
Searching around I found high praise of the film online, not least some great shots on Flickr. However, the film is among the most expensive so it wasn’t until I found a good offer on a batch of almost-expired films that I went for it. Add to that a more expensive development and it really has to be worth it, slide film or not.
Perhaps the mistake I made was to shoot it as a general-purpose film, including scenes with city-scape, street, and nature (sky at least). For instance, based on Old English it doesn’t live up to it’s price tag: the print is okay, but not something you couldn’t get with much cheaper film. Hogwarts likewise, though here there might also be an element of poor metering on my part (however still showing somewhat poor latitude). In general, for most photos on this roll my guess is that I would have preferred them on Kodak Portra or Fujifilm Superia.
But, and this is key I think, when it comes to blue (and to lesser extend green), the film is unmatched! Look at Sunny Side for example, or Hôtel de Ville, A Green Spot, Fit, or Scholastique (In the Rain) — I would not expend to see that from the above mentioned films, not at that level of saturation.
I’m guessing of course, but for the next roll of this film I’ll focus on nature, with plenty of sky, and a mix of greens and reds.