A Newfound Love of Kodak Portra

A few weeks ago I was heading for a week-long conference in Copenhagen and figured I’d only bring the Nikon FM as my only camera, and the practical 28-70mm lens as my only lens. And since this is a slow lens I went with a fast film: a Kodak Portra 400.

It had been a while since the last Portra, and even though I’d halfway declared it my general-purpose go-to film, I’d also kind of forgotten how good it is, perhaps thinking it a bit boring even after all the adventures into Lomography films and cross-processing. Fortunately the prints brought a very happy surprise! Perhaps it plays a part as well that I’ve switched back to my old (and more remote) printer after the inconsistent prints from the Precisa 100, but in the end I really like the result.

While the above film was shot within a week, I also recently finished a Kodak Portra 160 that’s been in my Olympus OM-1 since last autumn. And although it’s apparently against recommendation to let a film in a camera for that long due to light leaks, radiation, heat, and what not, this indicates that the advice should be balanced against the increased quality of the photos when you are more picky about releasing the shutter!

 

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