As disappointed as I was when I learned that the X-Pro Chrome from Lomography was not out of stock but in fact out of production, as surprised was I when an email popped in about a month ago saying that their other slide film, the X-Pro Slide, was now back in stock. I soon after grabbed a copy from the store, shot it, and went to pick up the prints today.
So I’ve gotten wiser since my surprise with the X-Pro Chrome. I now know that X-Pro stands for “cross processing“, and that this means using different chemicals during development than those originally intended. Handing in the Lomography film the other day was hence less shameful since I now understood what the woman behind the desk was saying and could respond with “you’re absolutely right, it’s a slide film for E6 processing, but would it be possible to have it developed in C41 anyway, for effect?” — won’t dwell too much on whether that’s cool or nerdy though.
I was a bit suspicious about the outcome for at least two reasons. Firstly because I’ve since learned that the X-Pro Chrome might have been a repackaged Kodak film of unmatched quality, and secondly because both the seller and various online galleries hinted that the photos will have a strong citrus tint. In the end though, they turned out much better than expected and I’ll probably head to the stores for some more soon.
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Again I like the vivid colours, especially the orange/red shades as in Dissidi, Red and White, Child’s Play, and Fake Roof. The blue sky in most of them is not amazing, but looking at the negatives it might have been because I over-exposed too much. Lastly, what happened in Weird Red remains a mystery for now, as no extra filter was used nor was the lighting different.