Before Christmas I developed the latest black & white film, yet didn’t have time to scan it before going to my family for the holidays. Now it’s here, and the most interestingly thing is perhaps that for post-processing I’ve tried to go in a direction of what I heard described as having “European rich shadows“.
So what does it mean? Well, I’m still finding out, but believe I can see some of what is meant in the photos by Doisneau, Cartier-Bresson, Brassaï, Ronis, and my most recent discovery, Peter Turnley: during scanning and post-processing I didn’t lift the shadows as much as usual while focused on still keeping a lot of detail in them. Of the photos below it worked out best for Under the Bridge and Japanese Chef, and to a smaller extend for Idou:
No photos available right now.
Please verify your settings, clear your RSS cache on the Slickr Flickr Admin page and check your Flickr feed
It is tricky no doubt, and I’m starting to understand why they said that being a good printer — the person, not the machine — is an art form in itself.