Colour Scanning: Negatif+ vs Epson V600 (and First Fujifilm Superia 200)


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When I handed over a colour film to Negatif+ a few weeks ago I decided to try their option of also having the negatives scanned; given that it takes me at least four hours to scan a (black & white) film at this point, I figured the 4€ extra might be a good deal if the quality matches up with their usual excellent service.

.. and it was! I’m positively surprised by both the Fujifilm Superia 200 film and the scanning. Besides lightening up the shadows a bit on a few of them I haven’t otherwise done any post-processing:

For comparison I also tried to scan some of them on my Epson V600 scanner; and given that it is a much cheaper consumer-level scanner than the one used by Negatif+ (apparently a Fujifilm Frontier SP3000) it actually did a pretty decent job, even on automatic, and both in terms of resolution and colour!

So a few pros and cons arose.

The scans from Negatif+ are slightly better resolution, have slightly less noise, and I like their warmer colour cast. Also, it’s pretty hard to beat 1€/hour.

On the other hand, to my surprise they are also slightly cropped for some reason (I somewhat suspect that the OM-1 exposes more than the typical 35mm frame) and come as a relatively small JPEG. The latter might not necessarily be a disadvantage of course, but on a few of them it wasn’t really possible to change the choice of burning out the highlights or closing up the shadows, and as a result I’m stuck with whatever Negatif+ decided; and part of the reason why scanning on my own takes longer is the time it takes to make this choice.

So there it is. The price for development is 6€ and for both 10€. For the next few films I’ll go with the scanning option again to have some very usable files and in order to spend my efforts on a selected few instead.

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